D i a n n      B a u e r
Diann Bauer ABOUT & CONTACT
THE DEEP FIELD PROJECT andrea BFGW text Sculpture video Drawing Painting XENOFEMINISM A.S.T. Public Sculpture Instalations Noise (back-broadcast through the persistent illusion) Urbicide The Enemy is Everthing that Might Happen Mausoleum for the Reality Based Community The Designated Area Bludgeonerator The Descent of the Sabines The Harlow Temple of Utopias Meijius NRAF Brown Field Gold Woods The Insolvency of the Goldwoods Estate Drawings-2007-09 What You Can't See Won't Hurt You 27/72
Diann BauerABOUT & CONTACT
D i a n n      B a u e r
Diann Bauer
THE DEEP FIELD PROJECTandrea BFGW textSculpturevideoDrawingPaintingXENOFEMINISMA.S.T.Public SculptureInstalationsNoise (back-broadcast through the persistent illusion)UrbicideThe Enemy is Everthing that Might HappenMausoleum for the Reality Based CommunityThe Designated AreaBludgeoneratorThe Descent of the SabinesThe Harlow Temple of UtopiasMeijiusNRAFBrown Field Gold WoodsThe Insolvency of the Goldwoods EstateDrawings-2007-09What You Can't See Won't Hurt You27/72
Noise (back-broadcast through the persistent illusion)
Noise (back-broadcast through the persistent illusion)

Noise (back-broadcast through the persistent illusion)

Noise (back-broadcast through the persistent illusion) is a 7 channel video installation done with the collaborative group A.S.T. for Tamawuj, Sharjah Biennale 13, 2017 curated by Christine Tohme. The title refers to a phrase Einstein included in a letter of condolence upon his colleague Michele Besso’s death saying ‘the distinction between past present and future is only a stubbornly persistent illusion’. The work suggests the idea that this persistent illusion can be hacked. It explores ideas of time and futurity asking how does one communicate with the future? How does the future communicate with the now? This work presents conceptions of power and resistance that could evolve from leveraging existing networks, infrastructures, forces and flows that are already in play and suggests that a rethinking of time might enable more traction on this leveraging.

The form of the installation is Eames multi-screen world fair pavillion-meets-mission control.

The projections, for the purpose of clairilty,  are designated ML(left), MC(centre) and MR(right) and the monitors are A,B,C and D, included below is a diagram of the space with screens labeled.

Video A-still

Video A-still

The main image from this video is from astronaut.io. The videos in the central oval come from YouTube. They were uploaded in the last week and have titles like DSC_1234 and IMG_4321. Astronaut was created by Andrew Wong and James Thompson in San Francisco in 2011. Footage of the each is provided by the Earth Science and Remote Sensing Unit, NASA Johnson Space Center and assembled by Tom King. The information here is the same information that is running along the bottom of this image in Arabic.

diagram of the space with labeled screens

diagram of the space with labeled screens

Video B-still

Video B-still

This is a 4 minute loop of text and graphics. 

Video C-Keith Tillford's infinite servers

Video C-Keith Tillford's infinite servers

This is a gif produced by artist Keith Tillford. It is a smooth journey down an infinite hall of servers.

preliminary model of the project

preliminary model of the project

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Noise (back-broadcast through the persistent illusion)
FINAL- ML-MC-MR three screen-in full-smaller
Video A-still
diagram of the space with labeled screens
Video B-still
Video C-Keith Tillford's infinite servers
VID D for Noise (back broadcast through the persistent illusion)
preliminary model of the project
diannbauer@me.com